Animation Writing and Development, : From Script Development to Pitch (Focal Press Visual Effects and Animation)

It covers the process of developing presentation bibles and pitching original projects as well as ideas for episodes of shows already on the air. This is a guide to becoming a good writer as well as a successful one.. The craft. The art. It gives advice on marketing and finding work in the industry. Animation Writing and Development includes chapters on animation history, on child development (writing for kids), and on storyboarding. It provides exercises for students as well as checklists for professionals polishing their craft. Animation Writing and Development takes students and animation professionals alike through the process of creating original characters, developing a television series, feature, or multimedia project, and writing professional premises, outlines and scripts. The business

*"Jean Ann Wright's new book is a well written, straightforward and practical approach to writing for animated features and television. Animation Writing and Development not only demonstrates how to brainstorm gags and create memorable characters, it also analyzes the thinking of the audience whether they're pre-schoolers or teenaged video game addicts. This book asks questions that will lead you to fresh perspectives on your work and more sales."-Tad Stones, Animation Producer and Writer, Warner Brother and Universal Cartoon Studios*"What could be better than a mentor who really cares? Jean Ann Wright more than qualifies as a topnotch writing mentor for animation, one who cares about her readers and their potential careers. With an eye on giving the writer an overview of the animation process as well as solid advice on preparing successful projects for the big and small screen, Jean's book will prove invaluable to those trying to break into the business as well as those who alre

"I found the information very good and timely" according to Iris B.. This was a required textbook. I found the information very good and timely. The writing information was balanced in that the writing techniques can be applied to other genres besides animation. I wish there was a bit more information geared towards writing and formatting graphic novels. This book is well worth its place in my permanent library. I initially received as part of my MFA program. I liked it well enough to have a permanent copy.Thank you, Jean Wright, for a. All Around Information for Animated Writing is a Must Buy! Jean Ann Wright did an outstanding layout and informative sections regarding every detail of animation writing. Straight to the point without the long stretch. She sees very passionate with this book and it helped me clear out some new list I need to consider why in the process of writing. The importance of outlining and just keep on writing. Every detail I need to know about my script writing is very important and that I appreciate her every effort to make this book . Terri Rowley said This is an awesome book. I know writing is not a huge part of animation and has chipped away at the great form since the golden age to provide current slop shopped on cable television, but this is a great resource none the less. It provides one with ways and ideas to spark the interest and practice of compiling a portfolio. The author also provides an insightful way to look at the drawing of animation through the form of words set up to develop scenarios helpful to complete a project for pitc

. She's worked for television networks, animation companies, and assorted television production companies. Jean Ann Wright serves as an animation pre-production consultant, specializing in writing and development, design, storyboard, casting, and voice-overs. Professionally, she's worked as an animation writer, assistant animator, dancer, model, and television production assistant. She took voice-over classes from Michael Bell, a well-known voice-over professional. Jean worked at Hanna-Barbera