Choral Performance: A Guide to Historical Practice

Recommended. Some of the performance issues addressed include timber, pitch, articulation, ornamentation, tempo, and tuning. (Church Music Quarterly)With an emphasis on the liturgical polyphony of the Renaissance, Plank discusses various aspects of historical choral performance practice. (Choice)this book will certainly be of value to choral singers and directors who perform early music. (Reference & Research Book News)Stephen Plank's book clearly offers the fruits of years of pr

. Plank is Chair of the Department of Musicology at Oberlin College. He is the author of the chapter "'Wrapped all in Woe': Passion Music in Late Medieval England" in The Broken Body (Groningen, 1998) and The Way to Heavens Doore: An Introduction to Liturgical Process and Musical Style (Scarecrow, 1994). He has also been a contributor to diverse music jou

The author considers such issues as timbre, tempo, and rhythm, the makeup of the ensemble, articulation, ornamentation, pitch and tuning, and interpretive goalsissues in which pre-modern choral technique and modern practice have often distinctively diverged. Mainstream choral conductors faced with the need to develop expression in multiple styles across a broad repertory will come to find the interpretation of historical style a congenial ally.. Musicological and performance perspectives are both drawn upon to address these issues in a manner that is both documentary as well as practical.This study will be of interest to musicians who specialize in early music, but it is also particularly addressed to conductors and singers who come to early music from the mainstream and perform it in that context. This guide presents a detailed discussion of various aspects of historical performance practice, especially as they relate to liturgical polyphony of the Renaissance