Gauguin: Metamorphoses (Museum of Modern Art, New York Exhibition Catalogues)

Louis.Hal Foster is an American art critic, historian and Guggenheim Fellow; he has taught at contemporary art and theory at Cornell University and Princeton University.Erika Mosier is an associate conservator at The Museum of Modern Art.Lotte Johnson is a curatorial assistant with the Department of Drawings and Prints at The Museum of Modern Art.. Starr

(Holland Cotter The New York Times)As important as painting obviously was to Gauguin, this exhibit argues that his efforts in printmaking and drawing were just as significant. (Halle Howard Time Out New York) . Moreover, its multimedia approach places new emphasis on the way motifs migrated among the artist's woodcuts, transfer drawings, carved wood sculpture, paintings and ceramics. The result is a much expanded sense of Gauguin's inventiveness, his working methods and how much he accomplished during his relatively brief maturity. If you can have only one Gau

Created in several discrete bursts of activity from 1889 until his death in 1903, these remarkable works on paper reflect Gauguin’s experiments with a range of media, from radically "primitive" woodcuts that extend from the sculptural gouging of his carved wood reliefs, to jewel-like watercolor monotypes and large mysterious transfer drawings. Richly illustrated with more than 200 works, Gauguin: Metamorphoses explores the artist’s radically experimental approach to techniques and demonstrates how his engagement with media other than painting--includi

Kenneth Hughes said Gauguin's Graphics: Transposing the Artist's Image. This is the catalogue of the exhibition of the same name at New York's Museum of Modern Art from March to June "Gauguin's Graphics: Transposing the Artist's Image" according to Kenneth Hughes. This is the catalogue of the exhibition of the same name at New York's Museum of Modern Art from March to June 201Gauguin's Graphics: Transposing the Artist's Image Kenneth Hughes This is the catalogue of the exhibition of the same name at New York's Museum of Modern Art from March to June 2014. The MoMA is the show's only venue, which means that not many people who love Gauguin's work will be able to see it. Fortunately, the catalogue does it full justice in every respect. When we think of Gauguin, we think first,. . The MoMA is the show's only venue, which means that not many people who love Gauguin's work will be able to see it. Fortunately, the catalogue does it full justice in every respect. When we think of Gauguin, we think first,. 01Gauguin's Graphics: Transposing the Artist's Image Kenneth Hughes This is the catalogue of the exhibition of the same name at New York's Museum of Modern Art from March to June 2014. The MoMA is the show's only venue, which means that not many people who love Gauguin's work will be able to see it. Fortunately, the catalogue does it full justice in every respect. When we think of Gauguin, we think first,. . The MoMA is the show's only venue, which means that not many people who love Gauguin's work will be able to see it. Fortunately, the catalogue does it full justice in every respect. When we think of Gauguin, we think first,. "The Overintellectualization of Paul Gauguin's Work" according to M. Northuis. As an artist and longtime admirer/student of Gauguin's work I am familiar withhis sculpture, prints and drawings. The show at The Museum of Modern Artfor which this book is the catalog finally brings some of these works out of theshadow of his paintings and gives them their due. His ceramics and woodcarvings not only inspired many sculptu. Good book I love it. I want to get all the (painting) books like this, I enjoy these all my life.