Remains of Japhet: Being Historical Enquiries Into the Affinity and Origin of the European Languages (Classic Reprint)

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Remains of Japhet: Being Historical Enquiries Into the Affinity and Origin of the European Languages (Classic Reprint)

Remains of Japhet: Being Historical Enquiries Into the Affinity and Origin of the European Languages (Classic Reprint)

2018-02-20 Remains of Japhet: Being Historical Enquiries Into the Affinity and Origin of the European Languages (Classic Reprint)

Description

We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.. Excerpt from Remains of Japhet: Being Historical Enquiries Into the Affinity and Origin of the European LanguagesTht'js far engaged, it was impofiible to op: books in hifiory an'd philology were now to be examined; and, by connecting the materials they produced, an appearance of the'higheft antiquity was very {hiking in t/ae/e two lan guages; and this opinion grew into a conclufion, of their being the orz'gz'zmlr of Europe.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in th

About the Author James Parsons is Associate Professor of Music History at Southwest Missouri State University in Springfield, Missouri. Other essays have appeared in The Journal of the American Musicological Society and Music Analysis. His article ''Deine Zauber binden wieder': Beethoven, Schiller, and the Joyous Reconciliation of Opposites', recently was published in Beethoven Forum, (2002) 9/1, 1-53. He is the author of numerous essays on German song, including the article on the eighteenth-century Lied for the second edition of The New Grove Dictionary of Music and Musicians.

. His article ''Deine Zauber binden wieder': Beethoven, Schiller, and the Joyous Reconciliation of Opposites', recently was published in Beethoven Forum, (2002) 9/1, 1-53. He is the author of numerous essays on German song, including the article on the eighteenth-century Lied for the second edition of The New Grove Dictionary of Music and Musicians. James Parsons is Associate Professor of Musi