Song Loves the Masses: Herder on Music and Nationalism

Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.

Bohlman a debt of gratitude for translating them into English for the first time."—Timothy Rice, UCLA Distinguished Professor of Ethnomusicology "Philip V. In this double role it will merit a wide readership in literary scholarship, history, German studies, philosophy, and musicology."—Harry Liebersohn, Professor of History, University of Illinois at Urbana-Champaign "Herder's essays on music are ground zero for the study of musical nationalism, especially in Europe but also in Latin America, Africa, and Asia. Bohlman, he can."—Richard Taruskin, author of Oxford History of Western Music. And we also me